"Pespectives" will publish the following:
(1) Historical Fiction will represent the bulk (approximately 70%) of the material we accept for publication. “Historical Fiction” is defined as works of fiction whose central characters, while they may interact with genuine historical figures or whose actions may be grounded in actual places or events, are invented. Work that will be accepted for publication will express the flavor of an era and provide to the reader an added, often overlooked, perspective on life in those times. The purpose of each story should be to entertain and to enlighten but must not be overly didactic in tone. Our goal is to make history accessible to the average reader by publishing works based in history.
(2) Creative non-fiction which meets three criterion: it should be entertaining, it should be accessible to the average reader, and it should shine a light on a certain era or event which has been ignored or obscured by a traditional study of history.
(2b) Book reviews are welcome, but the book should be, again, accessible. A good example of books that would be suitable to review would be John McCollough’s John Adams or Edward Rutherfurd’sLondon
(3) Poetry whose focus meets the above criteria may be selected for publication. Poems may be fictional in nature or may be based on historical characters or events. A good example of an historical poem would be "The Battle of Bannockburn" by Robert Burns (see this blog).
The actual percentage of historical fiction, creative non-fiction or poetry that will be included in the journal will be left to the discretion of the publisher and may fluctuate from issue to issue depending on submissions and space availability.
(1) Historical Fiction will represent the bulk (approximately 70%) of the material we accept for publication. “Historical Fiction” is defined as works of fiction whose central characters, while they may interact with genuine historical figures or whose actions may be grounded in actual places or events, are invented. Work that will be accepted for publication will express the flavor of an era and provide to the reader an added, often overlooked, perspective on life in those times. The purpose of each story should be to entertain and to enlighten but must not be overly didactic in tone. Our goal is to make history accessible to the average reader by publishing works based in history.
(2) Creative non-fiction which meets three criterion: it should be entertaining, it should be accessible to the average reader, and it should shine a light on a certain era or event which has been ignored or obscured by a traditional study of history.
(2b) Book reviews are welcome, but the book should be, again, accessible. A good example of books that would be suitable to review would be John McCollough’s John Adams or Edward Rutherfurd’s
(3) Poetry whose focus meets the above criteria may be selected for publication. Poems may be fictional in nature or may be based on historical characters or events. A good example of an historical poem would be "The Battle of Bannockburn" by Robert Burns (see this blog).
The actual percentage of historical fiction, creative non-fiction or poetry that will be included in the journal will be left to the discretion of the publisher and may fluctuate from issue to issue depending on submissions and space availability.
Before you submit please be aware of our readership: Our readers are readers who are already fond of historical fiction; readers who read a variety of genres but who may not have read much historical fiction; new readers who have yet to discover the joy of historical fiction; readers who were not well-taught and who sadly believe that they ‘hate’ history. Our writers are creative people who seek to express themselves by inserting their characters into situations and eras from bygone eras. The era itself serves as both a literary device and as a character of the story. The complexities of human interaction are changed, and perhaps in some ways simplified, but are complicated nonetheless. ”Perspectives” particularly welcomes new, unpublished authors to submit material for publication. Writers do not need an agent nor do they need to be previously published to have their work included in "Perspectives."
Submission steps:
(a) Electronic: In keeping with our electronic format, all submissions must be made via email. All submissions should be made as attachments in RTF. Word or PDF submissions will not be considered.
(b) Submissions are defined as one (1) short story not to exceed 8000 words; three (3) poems not to exceed 1000 words; one (1) non-fiction work or review, not to exceed 3000 words. Authors are welcome to submit in all categories (historical fiction, or poetry, or non-fiction) but no more than ONE submission in each category per month. Authors may submit in fiction AND poety AND non-fiction, but only one short-story, three poems, and one non-fiction work.
(c) Submit all work from your UWF email account to esr7@students.uwf.edu for consideration. A short note of introduction in the body of your email is welcome. No bio is required. All submissions should be attachments in Times New Roman, 12p, double space per course guidelines. The author's name should be stated clearly in both the body of the email as well as on the attachment, but does not need to be on every page of the attachment.
(d) Email alternative contact: All communication will be by email. Be sure to include a separate email as a cc: if you have one that you check more regularly than your UWF account.
Disclaimer: This journal is being created as a graduate project for a Creative Writing Workshop whose focus is an exploraition of the busines of publishing. No submissions are being solicited outside the parameters of the university course as established by the professor. All material published on this blog is the sole property of the authors who indiviually retain the ownership of their intellectual property. All material contained herein is governed by laws established under U.S. Copyright. All general blog contents are copyrighted 2011 by the editor, Beth Rodgers.
Submission steps:
(a) Electronic: In keeping with our electronic format, all submissions must be made via email. All submissions should be made as attachments in RTF. Word or PDF submissions will not be considered.
(b) Submissions are defined as one (1) short story not to exceed 8000 words; three (3) poems not to exceed 1000 words; one (1) non-fiction work or review, not to exceed 3000 words. Authors are welcome to submit in all categories (historical fiction, or poetry, or non-fiction) but no more than ONE submission in each category per month. Authors may submit in fiction AND poety AND non-fiction, but only one short-story, three poems, and one non-fiction work.
(c) Submit all work from your UWF email account to esr7@students.uwf.edu for consideration. A short note of introduction in the body of your email is welcome. No bio is required. All submissions should be attachments in Times New Roman, 12p, double space per course guidelines. The author's name should be stated clearly in both the body of the email as well as on the attachment, but does not need to be on every page of the attachment.
(d) Email alternative contact: All communication will be by email. Be sure to include a separate email as a cc: if you have one that you check more regularly than your UWF account.
Disclaimer: This journal is being created as a graduate project for a Creative Writing Workshop whose focus is an exploraition of the busines of publishing. No submissions are being solicited outside the parameters of the university course as established by the professor. All material published on this blog is the sole property of the authors who indiviually retain the ownership of their intellectual property. All material contained herein is governed by laws established under U.S. Copyright. All general blog contents are copyrighted 2011 by the editor, Beth Rodgers.
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